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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://repositorio.fa.unam.mx/handle/123456789/32" />
  <subtitle />
  <id>https://repositorio.fa.unam.mx/handle/123456789/32</id>
  <updated>2026-01-29T19:21:03Z</updated>
  <dc:date>2026-01-29T19:21:03Z</dc:date>
  <entry>
    <title>Al maestro con cariño: Don Fernando López Carmona</title>
    <link rel="alternate" href="https://repositorio.fa.unam.mx/handle/123456789/19643" />
    <author>
      <name>Guzmán Urbiola, Xavier</name>
    </author>
    <id>https://repositorio.fa.unam.mx/handle/123456789/19643</id>
    <updated>2025-01-23T22:21:10Z</updated>
    <published>2011-07-26T00:00:00Z</published>
    <summary type="text">Title: Al maestro con cariño: Don Fernando López Carmona
Abstract: Siento que don Fernando me decía: "te doy mi tiempo, te explico lo que quieras y lo repito las veces que quieras de maneras diferentes, pero a cambio tú debes entender y aprender.</summary>
    <dc:date>2011-07-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Does Digitalization Yield Command? Dialogues on a Possible Postdigital Age</title>
    <link rel="alternate" href="https://repositorio.fa.unam.mx/handle/123456789/19642" />
    <author>
      <name>Parera, Cecilia</name>
    </author>
    <author>
      <name>Moreira, Alejandro</name>
    </author>
    <id>https://repositorio.fa.unam.mx/handle/123456789/19642</id>
    <updated>2025-01-23T22:21:10Z</updated>
    <published>2021-04-21T00:00:00Z</published>
    <summary type="text">Title: Does Digitalization Yield Command? Dialogues on a Possible Postdigital Age
Abstract: The article reviews the impact of the implementation of new technologies on thinking and making architecture, recognizing that the initial positions, whether enthusiastic or of total rejection, have already receded. In particular, it is interesting to identify a recent turn in reflections on the expansion of the use of digital media, which may be useful in terms of dialogically confronting the challenges we currently face as a society.</summary>
    <dc:date>2021-04-21T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Toward a Dispersion of Architectural Archives?</title>
    <link rel="alternate" href="https://repositorio.fa.unam.mx/handle/123456789/19641" />
    <author>
      <name>Figueiredo, Sergio M.</name>
    </author>
    <id>https://repositorio.fa.unam.mx/handle/123456789/19641</id>
    <updated>2025-01-23T22:21:09Z</updated>
    <published>2020-12-11T00:00:00Z</published>
    <summary type="text">Title: Toward a Dispersion of Architectural Archives?
Abstract: While architecture museums come in all shapes and sizes, the practice of establishing an archive of architectural artifacts and instituting public accessibility is central to all. If, in the past few decades, two main approaches to the architectural archive have been identified—namely, the ‘critical depth’ of carefully curated assemblages and the ‘encyclopedic breadth’ of comprehensive collections—more recently, new hybrid models have been developed and implemented. The emerging dominant model appears to be conceptual, if not formal: the dispersion of the architectural archive. However, with such growing dispersion, is the architectural archive itself at risk of evaporation?</summary>
    <dc:date>2020-12-11T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions</title>
    <link rel="alternate" href="https://repositorio.fa.unam.mx/handle/123456789/19640" />
    <author>
      <name>Polizzo, Ana Paula</name>
    </author>
    <id>https://repositorio.fa.unam.mx/handle/123456789/19640</id>
    <updated>2025-01-23T22:21:08Z</updated>
    <published>2020-10-07T00:00:00Z</published>
    <summary type="text">Title: Burlemarxian Narratives: A Process of International Recognition Through Architecture Exhibitions
Abstract: The aim of this paper is to discuss the process by which the landscape design of Roberto Burle Marx became known and acknowledged in the hegemonic centers of global culture – the United States and Europe – through architectural exhibitions. For this purpose, it is necessary to understand the different narratives – institutional and curatorial – that molded the foreign vision of his architectural production, which were related to cultural aspirations of both national and international scope.</summary>
    <dc:date>2020-10-07T00:00:00Z</dc:date>
  </entry>
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